Tilius Sodeika — Motion Director

I direct motion for fashion, art, and live culture — from building-scale projections for Louis Vuitton in New York to live visual shows at Osterfestspiele Salzburg, and global campaigns for Miu Miu, Nike, X Games, and Art Basel.

My work spans three territories: campaign motion for global brands, spatial installations for exhibitions and fashion events, and live visual direction for music performance. Across all three, the approach is the same — treating time as a design material, where rhythm, tension, and proportion carry the story.

It started on a skateboard: a lifelong obsession with movement that became a career defining how brands and artists feel in motion. Trained in graphic design at KABK (Royal Academy of Art, The Hague), I bring a designer's precision to a director's role — from first concept sketch to final frame, on screen or in physical space.

Since 2023, I have been the ongoing motion collaborator of photographer Sven Marquardt, translating his work into installations across 10 exhibitions in 9 countries.

Selected collaborations: Louis Vuitton, Miu Miu, Nike, Deutsche Telekom, Art Basel, X Games, Carhartt WIP, Acronym, Sven Marquardt.

Selected work under NDA — available on request.

Experience

• Independent Motion Director, 2023–present (Berlin / Santander)

• Sunst Studio — Lead Motion Designer, 2021–2023 (Berlin)

education

• KABK Royal Academy of Art, The Hague — BA Graphic Design, 2016–2020

internship

• Studio De Ronners 2019 (Rotterdam)

For collaboration or commission work:

↖ about
Colour Mode

Louis Vuitton • 5th Avenue, New York — Building Projections

DESCRIPTION

Closer Ltd brought me in at pitch phase: within days, we developed the concept sketches and presentation that won the project for one of Louis Vuitton's most visible activations — the monumental trunk scaffolding on 5th Avenue.

I directed and designed the projection content, engineering the visuals for a system of 16 projectors distributed across multiple floors of surrounding buildings, all synchronized to a single station. The core challenge was compositional: designing motion that reads coherently at architectural scale, across surfaces the size of a city block.

Client: Louis Vuitton • Creative Direction: Closer Ltd

Role

• Motion Direction
• Concept & Pitch Development
• Motion Design & Compositing

year

2024

HeartBroken • Osterfestspiele Salzburg: ELEKTRO

DESCRIPTION

How do you bring techno into a Wagner opera house? For the ELEKTRO series at Osterfestspiele Salzburg — featuring DJ Anja Schneider and the photography of Sven Marquardt — I directed and performed the complete visual dimension of the show.

Working from a fixed 80-minute setlist, I designed a distinct visual world for every track and composed custom transitions between them, building a continuous dramaturgy rather than a loop of visuals. On the night, I live-directed the show in real time, responding to the performance as it unfolded — visuals as a live instrument, not a backdrop.

Client: Osterfestspiele Salzburg
Performance: Anja Schneider & Joao Tinen • Curation: Sven Marquardt
Visual Programming: Josefa Engelmair • Lights: Henry Rehberg
Production: Jan-Eric Scholz, Ralf Kollmann

Role

• Visual Direction
• Motion Design
• Live Performance

year

2026

Sven Marquardt — Disturbing Beauty • Berlin Art Week 2025

DESCRIPTION

The fifth chapter of my ongoing collaboration with photographer Sven Marquardt: an immersive overnight installation for Berlin Art Week, centered on a 'levitating' 5×4-meter cube at Haus der Visionäre.

I directed the visual concept and designed unique projection content for each of the cube's four faces — developing custom animation tools that translate Sven's iconic analog photography into a digital dimension without betraying its analog soul. The final piece mapped over 130 photographs across four synchronized video loops of 3, 7, 11, and 104 minutes, projection-mapped in Resolume. The exhibition ran from 8 PM to 4 AM — an installation designed for the dark.

Artist: Sven Marquardt • Space: Haus der Visionäre
Art Direction
: Tavy Hornbrook • Projections: Leo-Konrad Kuhn
Production
: Hardy Petke, Phoenix Joel • Communication: Hans Krestel

Role

• Motion Direction
• Installation Design
• Exhibition Campaign

year

2025

Nike On Air • GeneAlogy Room — Paris Olympics 2024

DESCRIPTION

For the Paris 2024 Olympics, Nike staged On Air — its flagship event of the Games, gathering Nike athletes and industry insiders in one space. Within it, the GeneAlogy room traced the full history of the Air line: an exhibition of shoes from every era, anchored by a room-scale LED wall.For that wall, I developed the motion identity and produced the central 4-minute film — a three-chapter journey from Air's inception to its adoption by the rave culture of the nineties. I designed the typography and image motion inside a strict grid that was itself in motion, driven by a generative layout — a system embodying the technological precision and constant progress at the core of Air. Chapter transitions, pacing, and every moving element on the wall followed this single visual logic, so the room read as one continuous piece rather than a sequence of assets.The audience was the most demanding one Nike has: its own athletes, at the biggest sporting event on earth.

Client: Nike Creative Direction: Closer Ltd

Role

• Motion Direction
• Motion Identity
• Kinetic Typography

year

2024

Miu Miu • Summer Reads — Global Campaign

DESCRIPTION

For Miu Miu's 'Summer Reads' — a global initiative gathering communities to read simultaneously across five cities — I defined the motion language for the campaign's social rollout and delivered the full suite: campaign teaser, global announcement, and five city-specific invitations.To bring the campaign's illustrations to life, I deconstructed each artwork into layers and rebuilt the missing backgrounds by hand, creating a dimensional parallax world inside originally flat images — motion that feels native to the illustration, not applied on top of it.

Client: Miu Miu • Creative Direction: Closer Ltd

Role

• Motion Direction
• Graphic Design

year

2025

X Games League • Launch Film & Motion Identity

DESCRIPTION

When X Games launched its new League format — in the middle of a complete rebrand — the new identity existed only as static design. I was brought in to define how it moves.I translated the fresh visual direction into a motion language, then directed the launch explainer end to end: storyboarding the narrative, animating the new graphic and typographic system, and weaving in archival footage — with every cut paced against the voiceover to match the raw energy of the sport.

Creative Direction: Mike Lamont Concept & Identity: WKNDHRS

Role

• Motion Direction
• Storyboarding
• Edit & Compositing

year

2025

Platte Store Berlin • Fashion Week SS25 — Exhibition Backdrops

DESCRIPTION

Commissioned by Platte and Sven Marquardt, I created the moving scenography for a six-day Berlin Fashion Week exhibition in the store's basement — a show circling themes of dystopia, clouds, love, and loneliness.

I art-directed and produced four large-scale video works for the space, combining AI-generated cloudscapes with an abstract spinning engine — a dystopian machine at the heart of the room, turning beneath the collections of thirteen designers.

Client: Platte Store Berlin • Curation: Sven Marquardt
Stage Design: Simon Lesemann
Featuring designers: Yannic Pretzlaff, Rosalba Faroqhi, HOUSE OF AKIR, and ten others

Role

• Motion Direction
• Art Direction

year

2025

Art Basel Awards • Campaign Film

DESCRIPTION

For the launch of the Art Basel Awards — a global program granting artists funding and exhibition opportunities — I established the motion direction for the campaign and animated the complete asset suite, unifying Max Saward's storyboards into a single cohesive campaign film.

Client: Art Basel
Creative Direction: Ray Gun London
Graphic Design: Max Saward

Role

• Motion Direction
• Animation

year

2025

Carhartt WIP Virtual Meeting S/S-22 Marketing Reel
Nike Home Of Running Berlin Marathon Campaign
Acronym x Solebox Workshop Campaign
5 Elephants Coffee Event Poster
Nike Peg Shop Berlin Half Marathon Campaign
Carhartt WIP Virtual Meeting S/S-23 Intro
BSTN London Store Opening Poster
Carhartt WIP Virtual Meeting F/W-23 Intro
Nike x Overkill AirMaxDay with Ski Aggu Concert Poster

Sunst Studio Projects

DESCRIPTION

Before going independent, I spent three years as Lead Motion Designer at Sunst Studio, Berlin — a multidisciplinary studio working across fashion, music, and culture. I led motion across the studio's client roster, building campaign systems and setting the motion language for brands including Carhartt WIP, Acronym, Nike, Alpha Industries & many more.

These years shaped the core of my practice: working inside established brand worlds with strict codes — and finding where motion can push them without breaking them.

Carhartt WIP S/S & F/W Euromeeting Campaign 2021-2023. Led motion for a seasonal campaign of their collection and their bi-annual headquarter company meeting, translating the brand's workwear codes into a kinetic film.

Acronym x Nike Soulbox Shoe Release event. Led motion for the shoe release campaign/ activation that was in Soulbox workshop, Berlin.

Nike Berlin • Marathon 2022–2023. Led the motion direction for the bi-annual event and campaign inside the Nike's Berlin Flagship store, creating content for their socials and the whole floor store installations for the duration of the Marathon.

ROLE

• Motion Director
• Lead Motion Designer
• Graphic Designer
• Art Director
• Editor
• Post-producer

year

2021-2023

DXDAO • CARROT EXPLAINER VIDEO

DESCRIPTION

SMS3D reached out to me for some help with the whole explainer video. I provided transition, animated graphics to help follow the narrative, and overall improved flow. I had a lot of fun playing with all the 3D assets and then glueing the whole project into a cohesive story.

Creative Direction: Dirk König
Concept, Direction, 3D: SMS3D
Motion Design & Compositing: Tilius Sodeika
Sound Design: Manuel Fischer

Role

• Motion Design
• Video Compositing

year

2023

Sven Marquardt's NYC Expo Disturbing Beauty

DESCRIPTION ↓

I was privileged to collaborate with Sven Marquardt on his "Disturbing Beauty" exhibition for New York City's Art Week, tasked with conceptualizing and producing video assets for display in Arts District Brooklyn — a venue renowned for its immersive 360° projection mapping. Initially considering a morphing effect, I instead innovated a luminosity pixel reveal animation with blue and red glow effects, which not only showcased Sven's evocative photography but also revealed a collage that underscored the rich, organic grain of his film work. Over 100 images were treated with these 10-second transitions, complemented by additional AI-generated morphs. These elements were then seamlessly integrated by the Tek Support team, who further enhanced the exhibition with sophisticated VJ programming, creating a multi-sensory experience that truly encapsulated the unsettling allure of Marquardt's artistry.

Keywords ↓

#motion_design #creative_direction #art_direction #

materials ⁄ medias ↓

#digital #video #projection_mapping

year ↓

2023

Nude Berlin party poster

DESCRIPTION ↓

I animated the graphic communication layers on these 2 posters for Nude Berlin. I really enjoyed working on this because it happened fast, intuitively, and I like how the two layers, 3D dancer and graphic, interact and add to each other yet keep the function and stand strong by themselves. Thanks to SMS3D for involving me with Nude Berlin parties, which were super fun. Looking forward to the next one!


Keywords ↓

#graphic_motion_design

materials ⁄ medias ↓

#digital #video

year ↓

2023

Spotify Canvas videos

Krankenwagens "Don't send help" album

DESCRIPTION ↓

Krankenwagens asked me to create an album artwork for Spotify and platforms alike. After searching for a way to capture their essence and taking in consideration that it will only be a digital release, I decided to focus on type design. The ever transforming letter designs of Krankenwagens capture their free spirit in exploration of sound aesthetics. For each song I made 8 second videos that loops when you play the song on Spotify on your phone. To capture the mood of each song I applied motion effect considering the energy and feeling.

Keywords ↓

#band #visual_identity #art_direction #cover_art  #design #graphic_design #motion_design

materials ⁄ medias ↓

#digital #video

year ↓

2023

Krankenwagens single cover series

DESCRIPTION ↓

Krankenwages asked me to produce 3 covers for 3 of their single songs, which got published on all online music platforms and their social media.

Keywords ↓

#band #visual_identity #art_direction #cover_art  #design #graphic_design

materials ⁄ medias ↓

#digital #photography

year ↓

2022

Versacer Freeze full music video
Versacer Freeze instagram teasers
Versacer Freeze making-off

Versacer freeze music video

DESCRIPTION ↓

Versacer band asked me to write and direct a music video for their song Freeze. Me and the lead singer/guitarist Julian came up with a short story, we together found a actors, cameraman and helping hands. I directed the music video's shooting and later edited, and did post production, except the colours grading was done by Patricija Andrijaityte.

Keywords ↓

#music_video #visual_identity #directing #writing #editing #post_production #design

materials ⁄ medias ↓

#digital

year ↓

2021

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murina.lt identity, website design & development (SM)

DESCRIPTION ↓

Murina is a lighting design studio situated in Vilnius, Lithuania. After more than 20 years, Murina transformed from being a luminaries retail company to a lighting design studio. The website focuses on communicating that transformation, highlighting the services they provide, the projects they worked on and offers a catalog for both household customers and professionals. Their visual identity has a clean, elegant, luxury look, in combination with a constructive user experience.

Keywords ↓

#rebranding #visual_identity #logo_design #web_design #development

materials ⁄ medias ↓

#digital

year ↓

2021

The display is divided into to two screens. Bottom one shows the perspective of human, top one the perspective of water.
The installation from above. The film was shown on two synced screens. Additional text about professor Teun Terpstra and abstract was screen-printed on the floor, and highlighted by the pointing lights from the ceiling.
The grey and purple is a reference to the scientific thinking methodology. It de-constructs the natural environment, which the black background hold together.
The map disappears under splashes of ink.
The green dots trace the stream of the sea, suggesting the chaotic flux of everything on planet earth.
The filming of the 'Water colonising the human land' chapter happened in a metal bath with a world map glued on the bottom. I used a syringe with acrylic ink.
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And I Am You & You Are Me & You Are We & We Are All (IAY)

DESCRIPTION ↓

In his film installation, Tilius Sodeika questions the constructs of nature and explores his metaphysical coordinates of living in the rise of climate change era. Tilius analyses how semiotic relations with nature are constructed by interviewing Professor Teun Terpstra, a researcher in climate change psychology. The film merges abstract with scientific, resulting in a visual poem that confronts the viewer with nature’s sublime, delivered with a turbulent, at times frightening, phonic range. The island screen installation invites the audience to experience the film from multiple perspectives: a gesture that urges one to reshape their perception of nature.

Keywords ↓

#environment_perception #climate_change #video_art #film

materials ⁄ medias ↓

#metal_installation #film_10min.
#sound_shower_speakers #sound_design #post-production
#screen_printing

year ↓

2020

KABK 2020 Graduation show
Footnotes in the thesis are separated by two different font sizes. The larger font footnotes refer to written thesis, other smaller font footnotes refer to images or additional information.
The images play an important part in the thesis. There is a black frame with luminosity effect to give the vast variation of images a uniting design element, that doesn't reduce the image size.
The name of the thesis is repeated in the top left page. In this case, the name has a strong relation/juxtaposition with the image.
The images in the thesis are often literally referred to, therefore the thesis book designed required to place both the image and text in the same page.
Press on the cover image for it to disappear.

Hyperdisaster (HD)

DESCRIPTION ↓

Rebecca Solnit wrote “These are clearly not events to be wished for, yet they bring out the best in us and give us a common purpose”. His bachelor’s thesis Tilius Sodeika asks “How disasters shape societies?”, to which he started answering by researching disasters and their what the survivors experienced. He then synthesised those findings with the prediction models of climate change to, which allowed him to scale the concept and called it ‘hyperdisaster’ as it stretches further in time and space than an individual’s life. Tilius Sodeika used Extinction Rebellion protest movement to study the effects of hyperdisaster, exploring the global identity of the movement and it’s reasons, he could speculate on a further societal development in the geological era of the anthroposcene.

Keywords ↓

#bachelors_thesis
#artistic_research #book_design

materials ⁄ medias ↓

#stitch_binding #folded_sleeve_cover
#digital_printing #90g_biotop_paper

year ↓

2020

The footnotes are in a slanted text box, pointing to where in the text or which image each of them refers to and helps the reader to look at the footnotes without loosing line in the text after reading the footnote.
Quoted text is placed in medium Italic font to be easily distinguishable.
Body text has 2mm margin. It creates a feeling that a part of text is missing if it was cut off. Layout design conceptually adds to the theme of the thesis.
Press on the cover image for it to disappear.

third space (TS)

DESCRIPTION ↓

Third Space is a bachelor’s thesis of Linhuien Chen is an auto-biographical exploration of diaspora, home, family and self-development. Linhuien Chen is born in Taiwan, in a small island called Xiyuping, which today functions as a sanctuary for wildlife. While with one hand L. Chen examines the Western culture with a magnifying glass, with the other hand she examines her past with a telescope. She navigates in this space to find an answer to question ‘Who am I and where is home to which I could return?’.

Keywords ↓

#book_design #micro_typography #editorial_design #bachelors_thesis

materials ⁄ medias ↓

#stitch_binding #cyanotype_cover
#digital_printing #90g_roman_paper

year ↓

2019

Click anywhere to minimize image.
Press on the poster to zoom in.

Made using machine learning word embedding model. For input we used reports from Dutch Ministry of Finance. The output is clusters of words coordinated by their syntax, semiotic and semantic relations.
Images of the installation from the exhibition inside the building of Dutch Ministry of Finance. Here the people could interact with the website.
The poster was printed in 1/3 project issues, which were all given away during the exhibition inside the Dutch Ministry of Finance.
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Vulnerable State — Models of Language as Output (VS)

DESCRIPTION ↓

Vulnerable State is a series of 3 outputs researching the use of machine learning algorithms by the Dutch Ministry of Finance (MinFin). In the first output, Tilius Sodeika and Kihyeon Kim develops an poster using word embedding machine learning model, which was trained on various reports published by MinFin. The poster explores the biases presented by the algorithm. The second output is a visual exploration of the algorithmic biases done in a workshop to produce the second issue of The Giant Floating Eye Ball in collaboration with the 3rd year bachelor students from KABK. The third output is an interactive poem generator, which was exhibited inside MinFin with the rest of the students.

Keywords ↓

#python #bias_algorithm #machine_learning #algorithm_research

materials ⁄ medias ↓

#webdesign #poster
#word_embedding_model #exhibition

year ↓

2019

Click anywhere to minimize image.
Press on the poster to zoom in.
Press on the cover image for it to disappear.

map of skateboarding evolution (WM)

DESCRIPTION ↓

Map of Skateboarding Evolution is part of the research into the sub-movements of skateboarding. Skateboarding got introduced to the Olympics in 2016, which motivated skateboarders across the world to define a new identity. The poster explores the evolution from its infancy to its current trends on Instagram and Olympic platform.

Keywords ↓

#poster #skateboarding

materials ⁄ medias ↓

#digital_printing #500mmX700mm

year ↓

2018

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age of old (AO)

DESCRIPTION ↓

Age of Old is a poster for a media-art exhibition inside KABK. Tilius Sodeika used photos of magnified flesh highlight the biological links in human perception of ageing. The poster was screen-printed on A1 size.

Keywords ↓

#poster #exhibition

materials ⁄ medias ↓

#screen_printing #500mmX700mm
#300g_fabriano_paper

year ↓

2019

The map on the left page was created using Map Box.
The wide book format allows images and footnotes to be placed next to the body text. The 6 column grid allowed both body text pages and image pages feel coherent.
Each sub-chapter about a specific squat starts with a 3D image of the building in which the squat started. The images are modified to highlight the building.
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Wolves, Mice & Milk (WM)

DESCRIPTION ↓

Wolves Mice & Milk is a catalogue of legalised squats in Amsterdam. Tilius Sodeika explores the squatting history of Amsterdam and marks a milestone when squatting was banned in 2010. The catalogue book documents the squats that have lived passed that mark, and the communities they hold. The 62 documented squats create a unique collection and show the evolution of the movement. Tilius Sodeika decides to urges to fragility of the movement by not binding the book, as the movement nowadays no longer shares a stable platform on which is was built.

Keywords ↓

#book_design #micro_typography #editorial_design #field_research #kraak #squat #amsterdam #interview

materials ⁄ medias ↓

#open_binding #hard_cover_sleeve
#digital_printing #100g_biotop_paper

year ↓

2018

Overview

Louis Vuitton • 5th Ave NYC

Heartbroken • Osterfestspiele Elektro

Disturbing Beauty • Berlin

Nike Air Genealogy

Miu Miu • Summer Reads

Xgames League

Platte • Berlin Fashion Week S/S25

Art Basel • Awards

Sunst Studio

DxDAO • Carrot

Sunst Studio
Projects

Sven Marquardt
NYC Expo

Nude Berlin
Party Posters

Krankenwagens Album

Krankenwagens Single Cover Serie

Versacer Freeze Music Video

Studio Murina

I am you & you are me & you are we & we are all

Hyperdisaster

Third Space

Vulnerable State

Age of Old

Map of Skateboarding Evolution

Wolves Mice & Milk