I direct motion for fashion, art, and live culture — from building-scale projections for Louis Vuitton in New York to live visual shows at Osterfestspiele Salzburg, and global campaigns for Miu Miu, Nike, X Games, and Art Basel.
My work spans three territories: campaign motion for global brands, spatial installations for exhibitions and fashion events, and live visual direction for music performance. Across all three, the approach is the same — treating time as a design material, where rhythm, tension, and proportion carry the story.
It started on a skateboard: a lifelong obsession with movement that became a career defining how brands and artists feel in motion. Trained in graphic design at KABK (Royal Academy of Art, The Hague), I bring a designer's precision to a director's role — from first concept sketch to final frame, on screen or in physical space.
Since 2023, I have been the ongoing motion collaborator of photographer Sven Marquardt, translating his work into installations across 10 exhibitions in 9 countries.
Selected collaborations: Louis Vuitton, Miu Miu, Nike, Deutsche Telekom, Art Basel, X Games, Carhartt WIP, Acronym, Sven Marquardt.
Selected work under NDA — available on request.
• Independent Motion Director, 2023–present (Berlin / Santander)
• Sunst Studio — Lead Motion Designer, 2021–2023 (Berlin)
• KABK Royal Academy of Art, The Hague — BA Graphic Design, 2016–2020
• Studio De Ronners 2019 (Rotterdam)
For collaboration or commission work:
Closer Ltd brought me in at pitch phase: within days, we developed the concept sketches and presentation that won the project for one of Louis Vuitton's most visible activations — the monumental trunk scaffolding on 5th Avenue.
I directed and designed the projection content, engineering the visuals for a system of 16 projectors distributed across multiple floors of surrounding buildings, all synchronized to a single station. The core challenge was compositional: designing motion that reads coherently at architectural scale, across surfaces the size of a city block.
Client: Louis Vuitton • Creative Direction: Closer Ltd
• Motion Direction
• Concept & Pitch Development
• Motion Design & Compositing
2024
How do you bring techno into a Wagner opera house? For the ELEKTRO series at Osterfestspiele Salzburg — featuring DJ Anja Schneider and the photography of Sven Marquardt — I directed and performed the complete visual dimension of the show.
Working from a fixed 80-minute setlist, I designed a distinct visual world for every track and composed custom transitions between them, building a continuous dramaturgy rather than a loop of visuals. On the night, I live-directed the show in real time, responding to the performance as it unfolded — visuals as a live instrument, not a backdrop.
Client: Osterfestspiele Salzburg
Performance: Anja Schneider & Joao Tinen • Curation: Sven Marquardt
Visual Programming: Josefa Engelmair • Lights: Henry Rehberg
Production: Jan-Eric Scholz, Ralf Kollmann
• Visual Direction
• Motion Design
• Live Performance
2026
The fifth chapter of my ongoing collaboration with photographer Sven Marquardt: an immersive overnight installation for Berlin Art Week, centered on a 'levitating' 5×4-meter cube at Haus der Visionäre.
I directed the visual concept and designed unique projection content for each of the cube's four faces — developing custom animation tools that translate Sven's iconic analog photography into a digital dimension without betraying its analog soul. The final piece mapped over 130 photographs across four synchronized video loops of 3, 7, 11, and 104 minutes, projection-mapped in Resolume. The exhibition ran from 8 PM to 4 AM — an installation designed for the dark.
Artist: Sven Marquardt • Space: Haus der Visionäre
Art Direction: Tavy Hornbrook • Projections: Leo-Konrad Kuhn
Production: Hardy Petke, Phoenix Joel • Communication: Hans Krestel
• Motion Direction
• Installation Design
• Exhibition Campaign
2025
For the Paris 2024 Olympics, Nike staged On Air — its flagship event of the Games, gathering Nike athletes and industry insiders in one space. Within it, the GeneAlogy room traced the full history of the Air line: an exhibition of shoes from every era, anchored by a room-scale LED wall.For that wall, I developed the motion identity and produced the central 4-minute film — a three-chapter journey from Air's inception to its adoption by the rave culture of the nineties. I designed the typography and image motion inside a strict grid that was itself in motion, driven by a generative layout — a system embodying the technological precision and constant progress at the core of Air. Chapter transitions, pacing, and every moving element on the wall followed this single visual logic, so the room read as one continuous piece rather than a sequence of assets.The audience was the most demanding one Nike has: its own athletes, at the biggest sporting event on earth.
Client: Nike • Creative Direction: Closer Ltd
• Motion Direction
• Motion Identity
• Kinetic Typography
2024
For Miu Miu's 'Summer Reads' — a global initiative gathering communities to read simultaneously across five cities — I defined the motion language for the campaign's social rollout and delivered the full suite: campaign teaser, global announcement, and five city-specific invitations.To bring the campaign's illustrations to life, I deconstructed each artwork into layers and rebuilt the missing backgrounds by hand, creating a dimensional parallax world inside originally flat images — motion that feels native to the illustration, not applied on top of it.
Client: Miu Miu • Creative Direction: Closer Ltd
• Motion Direction
• Graphic Design
2025
When X Games launched its new League format — in the middle of a complete rebrand — the new identity existed only as static design. I was brought in to define how it moves.I translated the fresh visual direction into a motion language, then directed the launch explainer end to end: storyboarding the narrative, animating the new graphic and typographic system, and weaving in archival footage — with every cut paced against the voiceover to match the raw energy of the sport.
Creative Direction: Mike Lamont • Concept & Identity: WKNDHRS
• Motion Direction
• Storyboarding
• Edit & Compositing
2025
Commissioned by Platte and Sven Marquardt, I created the moving scenography for a six-day Berlin Fashion Week exhibition in the store's basement — a show circling themes of dystopia, clouds, love, and loneliness.
I art-directed and produced four large-scale video works for the space, combining AI-generated cloudscapes with an abstract spinning engine — a dystopian machine at the heart of the room, turning beneath the collections of thirteen designers.
Client: Platte Store Berlin • Curation: Sven Marquardt
Stage Design: Simon Lesemann
Featuring designers: Yannic Pretzlaff, Rosalba Faroqhi, HOUSE OF AKIR, and ten others
• Motion Direction
• Art Direction
2025
For the launch of the Art Basel Awards — a global program granting artists funding and exhibition opportunities — I established the motion direction for the campaign and animated the complete asset suite, unifying Max Saward's storyboards into a single cohesive campaign film.
Client: Art Basel
Creative Direction: Ray Gun London
Graphic Design: Max Saward
• Motion Direction
• Animation
2025
Before going independent, I spent three years as Lead Motion Designer at Sunst Studio, Berlin — a multidisciplinary studio working across fashion, music, and culture. I led motion across the studio's client roster, building campaign systems and setting the motion language for brands including Carhartt WIP, Acronym, Nike, Alpha Industries & many more.
These years shaped the core of my practice: working inside established brand worlds with strict codes — and finding where motion can push them without breaking them.
Carhartt WIP • S/S & F/W Euromeeting Campaign 2021-2023. Led motion for a seasonal campaign of their collection and their bi-annual headquarter company meeting, translating the brand's workwear codes into a kinetic film.
Acronym x Nike • Soulbox Shoe Release event. Led motion for the shoe release campaign/ activation that was in Soulbox workshop, Berlin.
Nike Berlin • Marathon 2022–2023. Led the motion direction for the bi-annual event and campaign inside the Nike's Berlin Flagship store, creating content for their socials and the whole floor store installations for the duration of the Marathon.
• Motion Director
• Lead Motion Designer
• Graphic Designer
• Art Director
• Editor
• Post-producer
2021-2023
SMS3D reached out to me for some help with the whole explainer video. I provided transition, animated graphics to help follow the narrative, and overall improved flow. I had a lot of fun playing with all the 3D assets and then glueing the whole project into a cohesive story.
Creative Direction: Dirk König
Concept, Direction, 3D: SMS3D
Motion Design & Compositing: Tilius Sodeika
Sound Design: Manuel Fischer
• Motion Design
• Video Compositing
2023
I was privileged to collaborate with Sven Marquardt on his "Disturbing Beauty" exhibition for New York City's Art Week, tasked with conceptualizing and producing video assets for display in Arts District Brooklyn — a venue renowned for its immersive 360° projection mapping. Initially considering a morphing effect, I instead innovated a luminosity pixel reveal animation with blue and red glow effects, which not only showcased Sven's evocative photography but also revealed a collage that underscored the rich, organic grain of his film work. Over 100 images were treated with these 10-second transitions, complemented by additional AI-generated morphs. These elements were then seamlessly integrated by the Tek Support team, who further enhanced the exhibition with sophisticated VJ programming, creating a multi-sensory experience that truly encapsulated the unsettling allure of Marquardt's artistry.
#motion_design #creative_direction #art_direction #
#digital #video #projection_mapping
2023
I animated the graphic communication layers on these 2 posters for Nude Berlin. I really enjoyed working on this because it happened fast, intuitively, and I like how the two layers, 3D dancer and graphic, interact and add to each other yet keep the function and stand strong by themselves. Thanks to SMS3D for involving me with Nude Berlin parties, which were super fun. Looking forward to the next one!
#graphic_motion_design
#digital #video
2023
Krankenwagens asked me to create an album artwork for Spotify and platforms alike. After searching for a way to capture their essence and taking in consideration that it will only be a digital release, I decided to focus on type design. The ever transforming letter designs of Krankenwagens capture their free spirit in exploration of sound aesthetics. For each song I made 8 second videos that loops when you play the song on Spotify on your phone. To capture the mood of each song I applied motion effect considering the energy and feeling.
#band #visual_identity #art_direction #cover_art #design #graphic_design #motion_design
#digital #video
2023
Krankenwages asked me to produce 3 covers for 3 of their single songs, which got published on all online music platforms and their social media.
#band #visual_identity #art_direction #cover_art #design #graphic_design
#digital #photography
2022
Versacer band asked me to write and direct a music video for their song Freeze. Me and the lead singer/guitarist Julian came up with a short story, we together found a actors, cameraman and helping hands. I directed the music video's shooting and later edited, and did post production, except the colours grading was done by Patricija Andrijaityte.
#music_video #visual_identity #directing #writing #editing #post_production #design
#digital
2021

Murina is a lighting design studio situated in Vilnius, Lithuania. After more than 20 years, Murina transformed from being a luminaries retail company to a lighting design studio. The website focuses on communicating that transformation, highlighting the services they provide, the projects they worked on and offers a catalog for both household customers and professionals. Their visual identity has a clean, elegant, luxury look, in combination with a constructive user experience.
#rebranding #visual_identity #logo_design #web_design #development
#digital
2021

In his film installation, Tilius Sodeika questions the constructs of nature and explores his metaphysical coordinates of living in the rise of climate change era. Tilius analyses how semiotic relations with nature are constructed by interviewing Professor Teun Terpstra, a researcher in climate change psychology. The film merges abstract with scientific, resulting in a visual poem that confronts the viewer with nature’s sublime, delivered with a turbulent, at times frightening, phonic range. The island screen installation invites the audience to experience the film from multiple perspectives: a gesture that urges one to reshape their perception of nature.
#environment_perception #climate_change #video_art #film
#metal_installation #film_10min.
#sound_shower_speakers #sound_design #post-production
#screen_printing
2020
Rebecca Solnit wrote “These are clearly not events to be wished for, yet they bring out the best in us and give us a common purpose”. His bachelor’s thesis Tilius Sodeika asks “How disasters shape societies?”, to which he started answering by researching disasters and their what the survivors experienced. He then synthesised those findings with the prediction models of climate change to, which allowed him to scale the concept and called it ‘hyperdisaster’ as it stretches further in time and space than an individual’s life. Tilius Sodeika used Extinction Rebellion protest movement to study the effects of hyperdisaster, exploring the global identity of the movement and it’s reasons, he could speculate on a further societal development in the geological era of the anthroposcene.
#bachelors_thesis
#artistic_research #book_design
#stitch_binding #folded_sleeve_cover
#digital_printing #90g_biotop_paper
2020
Third Space is a bachelor’s thesis of Linhuien Chen is an auto-biographical exploration of diaspora, home, family and self-development. Linhuien Chen is born in Taiwan, in a small island called Xiyuping, which today functions as a sanctuary for wildlife. While with one hand L. Chen examines the Western culture with a magnifying glass, with the other hand she examines her past with a telescope. She navigates in this space to find an answer to question ‘Who am I and where is home to which I could return?’.
#book_design #micro_typography #editorial_design #bachelors_thesis
#stitch_binding #cyanotype_cover
#digital_printing #90g_roman_paper
2019

Vulnerable State is a series of 3 outputs researching the use of machine learning algorithms by the Dutch Ministry of Finance (MinFin). In the first output, Tilius Sodeika and Kihyeon Kim develops an poster using word embedding machine learning model, which was trained on various reports published by MinFin. The poster explores the biases presented by the algorithm. The second output is a visual exploration of the algorithmic biases done in a workshop to produce the second issue of The Giant Floating Eye Ball in collaboration with the 3rd year bachelor students from KABK. The third output is an interactive poem generator, which was exhibited inside MinFin with the rest of the students.
#python #bias_algorithm #machine_learning #algorithm_research
#webdesign #poster
#word_embedding_model #exhibition
2019
Map of Skateboarding Evolution is part of the research into the sub-movements of skateboarding. Skateboarding got introduced to the Olympics in 2016, which motivated skateboarders across the world to define a new identity. The poster explores the evolution from its infancy to its current trends on Instagram and Olympic platform.
#poster #skateboarding
#digital_printing #500mmX700mm
2018
Age of Old is a poster for a media-art exhibition inside KABK. Tilius Sodeika used photos of magnified flesh highlight the biological links in human perception of ageing. The poster was screen-printed on A1 size.
#poster #exhibition
#screen_printing #500mmX700mm
#300g_fabriano_paper
2019
Wolves Mice & Milk is a catalogue of legalised squats in Amsterdam. Tilius Sodeika explores the squatting history of Amsterdam and marks a milestone when squatting was banned in 2010. The catalogue book documents the squats that have lived passed that mark, and the communities they hold. The 62 documented squats create a unique collection and show the evolution of the movement. Tilius Sodeika decides to urges to fragility of the movement by not binding the book, as the movement nowadays no longer shares a stable platform on which is was built.
#book_design #micro_typography #editorial_design #field_research #kraak #squat #amsterdam #interview
#open_binding #hard_cover_sleeve
#digital_printing #100g_biotop_paper
2018






















