Tilius Sodeika

Hello, I am a full-time freelance graphic motion designer, specializing in creating compelling visual narratives for the fashion industry, music scene, cultural events, social media campaigns, and videography. My affinity for motion is deeply rooted in the kinetic world of skateboarding—a passion that began in childhood, watching my board spin beneath me. This formative experience led to a profound interest in skateboarding videos, which in turn sparked my pursuit in graphic design, video production, camera operation, and the nuances of independent production.

I view motion design not simply as an adjunct to graphic design but as its natural progression, introducing the essential dimension of time. This integration elevates the discipline, transforming static imagery into a dynamic storytelling medium. Rather than treating motion as an afterthought in design, I strategically reverse-engineer the process. By initiating with motion, I am able to more effectively dictate the parameters of layout, proportion, timing, and overall impact—yielding results that are both genuine and comprehensive. This methodology may diverge from the norm, but it is a testament to my belief that the principles and practice of motion can profoundly expand the horizons of design exploration.

Echoing the words of Mitch Paone, "Time is form. Form is time." This philosophy guides my approach to design, where time is not merely a measure but a fundamental component that shapes and defines the work I create.

Experience ↓

• Currently full-time freelancing (Berlin)

• Sunst Studio, Motion Designer 2021–2023 (Berlin)

education ↓

• University 2016–2020 KABK BA Graphic Design (Netherlands)

• Preparatory year 2014–2015 CATC Design College (Australia)

• Brenderup folk highschool/hojskole 2013 (Denmark)

internship ↓

• Studio De Ronners 2019
— recommendation letter

For collaboration or commission work:

↖ about
Colour Mode
Carhartt WIP Virtual Meeting S/S-22 Marketing Reel
Nike Home Of Running Berlin Marathon Campaign
5 Elephants Coffee Event Poster
Nike Peg Shop Berlin Half Marathon Campaign
Carhartt WIP Virtual Meeting S/S-23 Intro
BSTN London Store Opening Poster
Carhartt WIP Virtual Meeting F/W-23 Intro
Acronym x Solebox Workshop Campaign
Nike x Overkill AirMaxDay with Ski Aggu Concert Poster

Sunst Studio Projects

DESCRIPTION ↓

Between April 2021 and December 2023, my journey as a motion designer at Sunst Studio unfolded into a multifaceted role where I honed my craft in animation, graphic design, art direction, editing, and post-production. This pivotal chapter in my career was not just about mastering a suite of tools; it was an immersive education in the inner workings of a top-tier multi-disciplinary creative studio environment. I gained invaluable insights into the processes that underpin studio efficacy, from professional communication to file management systems. Each piece is a testament to the motion design expertise I developed under Sunst Studio's guidance. I extend my heartfelt gratitude to the entire Sunst team for an exhilarating, enriching, and sometimes whirlwind ride, and for imparting the wisdom that has become the cornerstone of my creative practise. As I transition to the realm of freelance work, I carry forward the invaluable skills they imparted and look forward to future collaborations. To the Sunst family, a sincere thank you and best wishes for continued success.

Keywords ↓

#motion_design #graphic_design #art_direction #editing #post-production

materials ⁄ medias ↓

#digital #video #screens #led_walls #social_media

year ↓

2021-2023

Sven Marquardt's NYC Expo Disturbing Beauty

DESCRIPTION ↓

I was privileged to collaborate with Sven Marquardt on his "Disturbing Beauty" exhibition for New York City's Art Week, tasked with conceptualizing and producing video assets for display in Arts District Brooklyn — a venue renowned for its immersive 360° projection mapping. Initially considering a morphing effect, I instead innovated a luminosity pixel reveal animation with blue and red glow effects, which not only showcased Sven's evocative photography but also revealed a collage that underscored the rich, organic grain of his film work. Over 100 images were treated with these 10-second transitions, complemented by additional AI-generated morphs. These elements were then seamlessly integrated by the Tek Support team, who further enhanced the exhibition with sophisticated VJ programming, creating a multi-sensory experience that truly encapsulated the unsettling allure of Marquardt's artistry.

Keywords ↓

#motion_design #creative_direction #art_direction #

materials ⁄ medias ↓

#digital #video #projection_mapping

year ↓

2023

Nude Berlin party poster

DESCRIPTION ↓

I animated the graphic communication layers on these 2 posters for Nude Berlin. I really enjoyed working on this because it happened fast, intuitively, and I like how the two layers, 3D dancer and graphic, interact and add to each other yet keep the function and stand strong by themselves. Thanks to SMS3D for involving me with Nude Berlin parties, which were super fun. Looking forward to the next one!


Keywords ↓

#graphic_motion_design

materials ⁄ medias ↓

#digital #video

year ↓

2023

Spotify Canvas videos

Krankenwagens "Don't send help" album

DESCRIPTION ↓

Krankenwagens asked me to create an album artwork for Spotify and platforms alike. After searching for a way to capture their essence and taking in consideration that it will only be a digital release, I decided to focus on type design. The ever transforming letter designs of Krankenwagens capture their free spirit in exploration of sound aesthetics. For each song I made 8 second videos that loops when you play the song on Spotify on your phone. To capture the mood of each song I applied motion effect considering the energy and feeling.

Keywords ↓

#band #visual_identity #art_direction #cover_art  #design #graphic_design #motion_design

materials ⁄ medias ↓

#digital #video

year ↓

2023

Krankenwagens single cover series

DESCRIPTION ↓

Krankenwages asked me to produce 3 covers for 3 of their single songs, which got published on all online music platforms and their social media.

Keywords ↓

#band #visual_identity #art_direction #cover_art  #design #graphic_design

materials ⁄ medias ↓

#digital #photography

year ↓

2022

Versacer Freeze full music video
Versacer Freeze instagram teasers
Versacer Freeze making-off

Versacer freeze music video

DESCRIPTION ↓

Versacer band asked me to write and direct a music video for their song Freeze. Me and the lead singer/guitarist Julian came up with a short story, we together found a actors, cameraman and helping hands. I directed the music video's shooting and later edited, and did post production, except the colours grading was done by Patricija Andrijaityte.

Keywords ↓

#music_video #visual_identity #directing #writing #editing #post_production #design

materials ⁄ medias ↓

#digital

year ↓

2021

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murina.lt identity, website design & development (SM)

DESCRIPTION ↓

Murina is a lighting design studio situated in Vilnius, Lithuania. After more than 20 years, Murina transformed from being a luminaries retail company to a lighting design studio. The website focuses on communicating that transformation, highlighting the services they provide, the projects they worked on and offers a catalog for both household customers and professionals. Their visual identity has a clean, elegant, luxury look, in combination with a constructive user experience.

Keywords ↓

#rebranding #visual_identity #logo_design #web_design #development

materials ⁄ medias ↓

#digital

year ↓

2021

The display is divided into to two screens. Bottom one shows the perspective of human, top one the perspective of water.
The installation from above. The film was shown on two synced screens. Additional text about professor Teun Terpstra and abstract was screen-printed on the floor, and highlighted by the pointing lights from the ceiling.
The grey and purple is a reference to the scientific thinking methodology. It de-constructs the natural environment, which the black background hold together.
The map disappears under splashes of ink.
The green dots trace the stream of the sea, suggesting the chaotic flux of everything on planet earth.
The filming of the 'Water colonising the human land' chapter happened in a metal bath with a world map glued on the bottom. I used a syringe with acrylic ink.
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And I Am You & You Are Me & You Are We & We Are All (IAY)

DESCRIPTION ↓

In his film installation, Tilius Sodeika questions the constructs of nature and explores his metaphysical coordinates of living in the rise of climate change era. Tilius analyses how semiotic relations with nature are constructed by interviewing Professor Teun Terpstra, a researcher in climate change psychology. The film merges abstract with scientific, resulting in a visual poem that confronts the viewer with nature’s sublime, delivered with a turbulent, at times frightening, phonic range. The island screen installation invites the audience to experience the film from multiple perspectives: a gesture that urges one to reshape their perception of nature.

Keywords ↓

#environment_perception #climate_change #video_art #film

materials ⁄ medias ↓

#metal_installation #film_10min.
#sound_shower_speakers #sound_design #post-production
#screen_printing

year ↓

2020

KABK 2020 Graduation show
Footnotes in the thesis are separated by two different font sizes. The larger font footnotes refer to written thesis, other smaller font footnotes refer to images or additional information.
The images play an important part in the thesis. There is a black frame with luminosity effect to give the vast variation of images a uniting design element, that doesn't reduce the image size.
The name of the thesis is repeated in the top left page. In this case, the name has a strong relation/juxtaposition with the image.
The images in the thesis are often literally referred to, therefore the thesis book designed required to place both the image and text in the same page.
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Hyperdisaster (HD)

DESCRIPTION ↓

Rebecca Solnit wrote “These are clearly not events to be wished for, yet they bring out the best in us and give us a common purpose”. His bachelor’s thesis Tilius Sodeika asks “How disasters shape societies?”, to which he started answering by researching disasters and their what the survivors experienced. He then synthesised those findings with the prediction models of climate change to, which allowed him to scale the concept and called it ‘hyperdisaster’ as it stretches further in time and space than an individual’s life. Tilius Sodeika used Extinction Rebellion protest movement to study the effects of hyperdisaster, exploring the global identity of the movement and it’s reasons, he could speculate on a further societal development in the geological era of the anthroposcene.

Keywords ↓

#bachelors_thesis
#artistic_research #book_design

materials ⁄ medias ↓

#stitch_binding #folded_sleeve_cover
#digital_printing #90g_biotop_paper

year ↓

2020

The footnotes are in a slanted text box, pointing to where in the text or which image each of them refers to and helps the reader to look at the footnotes without loosing line in the text after reading the footnote.
Quoted text is placed in medium Italic font to be easily distinguishable.
Body text has 2mm margin. It creates a feeling that a part of text is missing if it was cut off. Layout design conceptually adds to the theme of the thesis.
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third space (TS)

DESCRIPTION ↓

Third Space is a bachelor’s thesis of Linhuien Chen is an auto-biographical exploration of diaspora, home, family and self-development. Linhuien Chen is born in Taiwan, in a small island called Xiyuping, which today functions as a sanctuary for wildlife. While with one hand L. Chen examines the Western culture with a magnifying glass, with the other hand she examines her past with a telescope. She navigates in this space to find an answer to question ‘Who am I and where is home to which I could return?’.

Keywords ↓

#book_design #micro_typography #editorial_design #bachelors_thesis

materials ⁄ medias ↓

#stitch_binding #cyanotype_cover
#digital_printing #90g_roman_paper

year ↓

2019

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Made using machine learning word embedding model. For input we used reports from Dutch Ministry of Finance. The output is clusters of words coordinated by their syntax, semiotic and semantic relations.
Images of the installation from the exhibition inside the building of Dutch Ministry of Finance. Here the people could interact with the website.
The poster was printed in 1/3 project issues, which were all given away during the exhibition inside the Dutch Ministry of Finance.
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Vulnerable State — Models of Language as Output (VS)

DESCRIPTION ↓

Vulnerable State is a series of 3 outputs researching the use of machine learning algorithms by the Dutch Ministry of Finance (MinFin). In the first output, Tilius Sodeika and Kihyeon Kim develops an poster using word embedding machine learning model, which was trained on various reports published by MinFin. The poster explores the biases presented by the algorithm. The second output is a visual exploration of the algorithmic biases done in a workshop to produce the second issue of The Giant Floating Eye Ball in collaboration with the 3rd year bachelor students from KABK. The third output is an interactive poem generator, which was exhibited inside MinFin with the rest of the students.

Keywords ↓

#python #bias_algorithm #machine_learning #algorithm_research

materials ⁄ medias ↓

#webdesign #poster
#word_embedding_model #exhibition

year ↓

2019

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Press on the poster to zoom in.
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map of skateboarding evolution (WM)

DESCRIPTION ↓

Map of Skateboarding Evolution is part of the research into the sub-movements of skateboarding. Skateboarding got introduced to the Olympics in 2016, which motivated skateboarders across the world to define a new identity. The poster explores the evolution from its infancy to its current trends on Instagram and Olympic platform.

Keywords ↓

#poster #skateboarding

materials ⁄ medias ↓

#digital_printing #500mmX700mm

year ↓

2018

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age of old (AO)

DESCRIPTION ↓

Age of Old is a poster for a media-art exhibition inside KABK. Tilius Sodeika used photos of magnified flesh highlight the biological links in human perception of ageing. The poster was screen-printed on A1 size.

Keywords ↓

#poster #exhibition

materials ⁄ medias ↓

#screen_printing #500mmX700mm
#300g_fabriano_paper

year ↓

2019

The map on the left page was created using Map Box.
The wide book format allows images and footnotes to be placed next to the body text. The 6 column grid allowed both body text pages and image pages feel coherent.
Each sub-chapter about a specific squat starts with a 3D image of the building in which the squat started. The images are modified to highlight the building.
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Wolves, Mice & Milk (WM)

DESCRIPTION ↓

Wolves Mice & Milk is a catalogue of legalised squats in Amsterdam. Tilius Sodeika explores the squatting history of Amsterdam and marks a milestone when squatting was banned in 2010. The catalogue book documents the squats that have lived passed that mark, and the communities they hold. The 62 documented squats create a unique collection and show the evolution of the movement. Tilius Sodeika decides to urges to fragility of the movement by not binding the book, as the movement nowadays no longer shares a stable platform on which is was built.

Keywords ↓

#book_design #micro_typography #editorial_design #field_research #kraak #squat #amsterdam #interview

materials ⁄ medias ↓

#open_binding #hard_cover_sleeve
#digital_printing #100g_biotop_paper

year ↓

2018

projects Overview

Sunst Studio
Projects

Sven Marquardt
NYC Expo

Nude Berlin
Party Posters

Krankenwagens Album

Krankenwagens Single Cover Serie

Versacer Freeze Music Video

Studio Murina

I am you & you are me & you are we & we are all

Hyperdisaster

Third Space

Vulnerable State

Age of Old

Map of Skateboarding Evolution

Wolves Mice & Milk